Artificial Intelligence and the Arts

Tiempo de lectura aprox: 59 segundos

Seguimos comprometidos con la ciencia de vanguardia ūüėÉ. Dos de nuestros socios (Juan Romero¬†y¬†Penousal Machado) han publicado el libro de referencia de¬†IA¬†aplicada a¬†creatividad¬†y¬†arte, en¬†Springer Nature, con los trabajos m√°s importantes de los √ļltimos 10 a√Īos.

¬ęArtificial Intelligence and the Arts. Computational Creativity, Artistic Behavior, and Tools for Creatives¬Ľ

Prefacio
https://link.springer.com/content/pdf/bfm%3A978-3-030-59475-6%2F1.pdf

Artes Visuales
Artificial Life and Artificial Intelligence Advances in the Visual Arts – Gary Greenfield (P√°ginas 3-26)
Aesthetics, Artificial Intelligence, and Search-Based Art – Colin Johnson (P√°ginas 27-60)
Applicability of Convolutional Neural Network Artistic Style Transfer Algorithms – Florian Uhde (P√°ginas 61-81)

M√ļsica
Artificial Musical Intelligence: Computational Creativity in a Closed Cognitive World – Geraint A. Wiggins (P√°ginas 85-107)
Evolutionary Music, Deep Learning and Conceptual Blending: Enhancing User Involvement in Generative Music Systems –¬†Maximos Kaliakatsos-Papakostas¬†(P√°ginas 109-138)
Representation Learning for the Arts: A Case Study Using Variational Autoencoders for Drum Loops –¬†James McDermott¬†(P√°ginas 139-161)

3D
Case Studies in Computer Graphics and AI РTom De Smedt, Ludivine Lecha, Ben Burtenshaw, Lucas Nijs (Páginas 165-185)
Setting the Stage for 3D Compositing with Machine Learning – Jonathan Eisenmann (P√°ginas 187-205)

Otras Formas de Arte
Computational Models of Narrative Creativity –¬†Pablo Gerv√°s¬†(P√°ginas 209-255)
Learning from Responses to Automated Videogame Design – Michael Cook (P√°ginas 257-276)
Artificial Intelligence for Designing Games – Antonios Liapis (P√°ginas 277-310)

Perspectivas Artísticas
Bees Select Flowers, Humans Select Images: New Designs for Open-Ended Interactive Evolutionary Computation Inspired by Pollination Ecology –¬†Alan Dorin¬†(P√°ginas 313-345)
Breaking the Black Box: Procedural Reading, Creation of Meaning, and Closure in Computational Artworks – Miguel Carvalhais (P√°ginas 347-362)
Organism-Machine Hybrids –¬†Jon McCormack,¬†Natalie Alima¬†(P√°ginas 363-381)

https://link.springer.com/book/10.1007/978-3-030-59475-6

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